Before being able to carry out his plan, however, Spike and Jet tracked him down using the ignition pin from one of the previous bombs. Bower donned a large teddy bear outfit as a disguise and planted his bombs. A major portion of the building collapsed as Spike and Andy ran away.īower's next target was another high rise building, this one playing host to a high-class costume party. As they argued, Bower escaped and detonated two remaining bombs. However, just before being arrested, Andy crashed into the building and mistook Spike for the bomber. Spike had rendered one of his bombs useless and was ready for capture. As he left one of his bombing sites, one of the tallest buildings on Mars, he was stopped by Spike on the escalator. He also has skill with electronics, utilizing custom remote detonators in his bears, as well as hacking the elevator used to trap Spike and Andy at City Hall.īower started his bombing in 2071 and incurred a bounty of 3 million Woolong. His bears are relatively small, but can create huge explosions, enough to create significant structural damage to large buildings. His plan shows the effect that Spike and Andy's indifference has had on him, and how deeply he hates being ignored.Īs a bomber, Bower is highly skilled in making explosives. This is an abandonment of one of his main ideals, having stated previously that he has never attempted to target human lives. Bower even resorts to sending a letter directly to the hosts of Big Shot, the bounty hunter informational TV show. Even this message is cut off when the show runs out of time.įed up with being ignored, Bower arranges a final explosion at City Hall in an attempt to eliminate both Spike and Andy. He sees the tallest skyscrapers of Mars as symbols of these capitalistic dangers and has resolved to destroy them, starting with the tallest.ĭespite claiming to be working for political ideals, the root of Bower's psyche is a desperate need for people to acknowledge both him and what he says. As the feud between Spike and Andy escalates, Bower becomes increasingly frustrated by their indifference to his mission. Every time he attempts to explain his goals, he is interrupted before he can finish. While confronting Spike and Andy at City Hall, he wears normal clothes a shirt and light jacket with shorts and boots.īower is also always seen wearing at least one watch on his wrist, which doubles as a remote for his explosives.īower viewed himself as an activist, trying to warn the public about the dangers of unchecked capitalism. The next target happens to be hosting a costume party, so Bower wears a fitting costume: a large teddy bear suit. For his first target, he dons a security guard outfit, allowing him to move about the building without being questioned. In order to facilitate his bombing practices, Bower often wears disguises that fit the locations he is bombing. He had a full head of hair and beard, both turning grey as he approached middle age. Being an actor, he takes it in stride.Bower was a middle-aged man of average height, with a slightly-seedy build. Wholesome Crossdresser: Frank is disguised as a (rather tall) Hollander women when the crew is moved between towns.Though they're fooled several times by the Resistance, the Germans are portrayed as a real threat, and the film opens with a report of several Dutch resistance members being executed. Reality Has no Subtitles: Likewise, none of the Dutch or German dialog is subtitled, enhancing the English crew's sense of isolation and dependence on their Dutch hosts.Michael Powell strove for "naturalism" and only used diegetic sounds. Reality Has No Soundtrack: The film contains no musical score.Which is quickly cancelled when all the spectators stand up to leave, which would leave the players playing to an empty set of stands. In one scene a football match is being held, and a Nazi loudspeaker truck announces a limit on the number of spectators. Passive-Aggressive Kombat: One of the ways the Hollanders resist the Nazis, aided by their occupiers wanting to maintain a sheen of normality.Men Are Strong, Women Are Pretty: Surprisingly averted director Michael Powell deliberately encouraged the casting of women as resistance leaders.Meanwhile Cornelius, the Burgomiester's son, is an unrepentant collaborator with the Nazi occupiers, which bites him in the ass later.Jo de Vries pretends to help the Germans so that she can help the resistance.La Résistance: Initially suspicious, but they wind up helping the airmen out.Importation Expansion: Inverted twenty minutes were cut from the original American release.
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